Froward Women
The
plays resonate with a pattern of strong-willed, literate women, many of
whom are minor characters and rarely discussed in Shakespearean criticism.
Certain big names come up regularly, such as Cleopatra, Lady Macbeth, Ophelia,
Viola, Paulina. But a closer look at the plays reveals an intriguing thread
of minor female characters who consistently show themselves to be brave,
resourceful, intelligent, and determined.
I offer the following list not as any "proof" that a woman wrote these plays, but merely as food for thought. However, it does make one wonder -- if William Shakespeare were the creator of all these forward, literate, and often powerful women, why did he let his own daughters* grow up illiterate?
These links also list intriguing patterns:
Men behaving badly
Female Relationships
Male Relationships
| Woman | Play | Description |
| Hero | Much Ado About Nothing | She is a virtuous woman unjustly accused of gross infidelity by her fiancé and thus also spurned by her own father and Don Pedro. |
| Hermione | The Winter’s Tale | She is a virtuous wife unjustly accused of infidelity by a jealous husband. With her waiting woman, she hides herself for fifteen years, until exonerated. |
| Mrs. Ford | The Merry Wives of Windsor | She is a virtuous wife unjustly accused by a jealous husband, whom she brings around with humor and a good nature. She also humiliates a lecherous and sleazy knight. |
| Desdemona | Othello | She is a virtuous wife unjustly accused of gross infidelity by her husband. She defies her father and society to marry the man of her choice. |
| Juliet | Romeo and Juliet | She defies her father to marry the man of her choice. |
| Lavinia | Titus Andronicus | She defies her father to marry the man of her choice. |
| Anne Page | The Merry Wives of Windsor | She defies her father and mother to marry the man of her choice. |
| Hermia | A Midsummer Night’s Dream | She defies her father to marry the man of her choice. |
| Sylvia | The Two Gentlemen of Verona | She defies her father to marry the man of her choice. Her father throws her in jail, she escapes, and is captured by outlaws. |
| Bianca | The Taming of the Shrew | She defies her father to marry the man of her choice. |
| Perdita | The Winter’s Tale | She defies her lover’s father to marry the man of her choice. |
| Imogen | Cymbeline | She defies her father and wicked stepmother to marry the man of her choice. She dresses as a man, runs away, and later joins the Roman army. |
| Jessica | The Merchant of Venice | She defies her father to marry the man of her choice. She dresses as a man and runs away. |
| Portia | The Merchant of Venice | She dresses as a man (a judge) and wins an eminent court case. She is the head of a large estate. She manipulates and shames her new husband for his fickleness. |
| Nerissa | The Merchant of Venice | She dresses as a man (a law clerk) to appear in court. She manipulates and shames her new husband for his fickleness. |
| Rosalind | As You Like It | She dresses as a man, runs away into the forest, buys property, arranges the forest society, and marries the man of her choice. |
| Viola | Twelfth Night | She dresses as a man, takes a job, and marries the man of her choice. |
| Joan of Arc | 1 Henry vI | She dresses as a man and leads armies into battle. In this play she possibly has lovers. |
| Julia | The Two Gentlemen of Verona | She dresses as a man and runs away. She is a steadfast woman scorned by an inconstant lover. |
| Helena | A Midsummer Night’s Dream | She is a steadfast woman scorned by an inconstant lover. |
| Celia | As You Like It | She runs away from her father to be true to herself and to her girlfriend. She marries the man of her choice. |
| Cordelia | King Lear | She defies her father to be true to herself. |
| Olivia | Twelfth Night | She runs an estate and marries the man of her choice. |
| Beatrice | Much Ado About Nothing | She is a brilliant woman who wittily chooses not to marry (but eventually does marry the man of her choice). Against several men, she is true to her female cousin. |
| Helena | All’s Well That Ends Well | With her medical knowledge, she cures a king of a fatal disease that his male doctors have been unable to treat. She travels from Paris to Florence as a pilgrim. She manipulates events to marry the man of her choice. |
| Isabella | Measure for Measure | She is a noble, virtuous woman who manipulates a powerful leader. She dupes a man with the bed-trick. There is no indication that she chooses to accept the twice-offered marriage proposal from the Duke. |
| Diana | All’s Well That Ends Well | She conspires to hoodwink a profligate man and plays the bed-trick on him. |
| Maria | Twelfth Night | She devises a plot to make a fool of a man. |
| Mrs. Page | The Merry Wives of Windsor | She is a middle-aged woman, wise and witty, who humiliates a sleazy knight. She defies her husband’s preference of a marriage choice for her daughter. |
| Mistress Quickly | The Merry Wives of Windsor | She takes advantage of all the men and makes buffoons of them. |
| Princess of France & her ladies Rosaline, Maria, and Katharine | Love’s Labor’s Lost | The Princess is the political emissary for her country. These self-possessed women baffle and torment the men. They consign the men to a year of meditation and celibacy before they will consider marrying them. |
| Regan and Goneril | King Lear | Indomitable, power-hungry sisters who defy their father and husbands. Each takes a lover. |
| Queen Margaret | 1, 2, 3 Henry vIand Richard iii | She rules her husband, leads an army into battle for the sake of her son, murders the usurper, takes a lover, and prophesies truths. |
| Queen Elizabeth (Grey) | 3 Henry vIand Richard iii | She refuses the sexual advances of the King until he marries her and then manipulates life at court for the betterment of her family. She scorns Richard iii and refuses him her daughter. |
| Constance of Bretagne | King John | She goes into battle for the sake of her son. Her intense grief over the death of her son is scorned by the men. |
| Eleanor of Aquitaine | King John | Almost 80 years old, she marches off to battle in France. |
| Volumnia | Coriolanus | She rules the country while her son is away. She saves Rome from destruction by controlling her son, a powerful man. |
| Cleopatra | Antony and Cleopatra | She is a powerful ruler of her country. She loves whom she pleases. |
| Fulvia | Julius Caesar | She leads a Roman army into war and is first on the field. |
| Tamora, Queen of the Goths | Titus Andronicus | She leads an army, fights for her sons, murders when necessary, loves whom she pleases. |
| Queen Katherine of Aragon | Henry vIII | She is a virtuous, steadfast woman who perseveres with grace through her husband’s perfidy. |
| Lady Macbeth | Macbeth | She has the strength and mettle “of a man” to do what needs to be done to have power. Wishes she could be a man so she would have the capability to be cruel. |
| Portia and Calpurnia | Julius Caesar | Their quiet wisdom and family values are ignored by their husbands. Portia commits suicide by holding hot coals in her mouth to avoid the shame of her husband’s defeat. |
| Adriana and her sister Luciana | The Comedy of Errors | They debate “obedience” to a husband vs. “servitude.” |
| Katharina | The Taming of the Shrew | A complex woman who defies men and their marriage plans for her until “wooed” by one of her own mettle. |
| Mistress Quickly | 1, 2 Henry iv, Henry v | She runs a business, a tavern. |
| Paulina | The Winter’s Tale | Strong and undaunted, she stands up to powerful men, including the King. She keeps a secret with another woman for fifteen years, until the oracle is proven true. |
| Charmian | Antony and Cleopatra | Her loyalty is so strong that she commits suicide with Cleopatra. |
Professor Juliet Dusinberre concludes her thought-provoking book, Shakespeare
and the Nature of Women, with this:
"Shakespeare saw men and women as equal in a world which declared
them unequal. He did not divide human nature into the masculine
and the feminine, but observed in the individual woman or man an infinite
variety of union between opposing impulses. To talk about Shakespeare’s women
is to talk about his men, because he refused to separate their worlds physically,
intellectually, or spiritually. Where in every other field understanding
of Shakespeare’s art grows, reactions to his women continually recycle,
because critics are still immersed in preconceptions which Shakespeare
discarded about the nature of women."
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*One of Shakespeare's daughters, Judith, signed her name with an
X. His other daughter Susanna once signed her name (nothing else in her writing has been found), but she could not read nor even recognize her husband's handwriting when asked. Her "signature" is in a style called "secretary hand," a style of writing that was not taught to women at the time.
